Most Fashionable Reader! Zelda has dragged herself out of The Treacherous Abyss and has pulled herself to her feet to, well, face her demons head-on by writing about some form of some sort of journey into hell. Zelda is not one to rub salt in her wounds, Dear Reader, but she does have a fondness for rubbing alcohol.
James Joyce! Zelda has missed you so! Also Ulysses! Zelda cannot wait to go farther with you! Maybe even third base! And Vivienne! Zelda has missed you more! Zelda has missed you most!
The video below is something that has made Zelda feel better lately. It is a sweet little song — Zelda had forgotten about it until she heard it whilst getting her hair styled last week. Zelda feels the lyrics would have been a tad more cohesive, however, had Anna Nalick written it when she was a little older. Ah, well.
“My God! It’s so beautiful when the boy! Smiles!”
The writing on the wall
Fade past the unglazed mug, the shampoo commercial, the Still Life with Waterfall. Fingers blunt with cold. The sound of an old film. Aspirin tablets, chicken salad sandwiches. Extension cords round the room like lions. The smell of the weak, the descent of their last end –
Dearest, Most Fashionable Reader: Zelda has a problem. Now, Zelda realizes that she is hardly back in the saddle when it comes to the dating scene, since Roxette was still releasing new music when she last dated, but she felt that certain statements would still ring true within the dating world. Such as: if two people have massive quantities of sex over an extended period of time, then they will be forced to come up for air eventually and, during aforementioned air gathering, they would, perhaps, get a bite or two to eat or watch a movie. Such as: if two people go to restaurants and the cinema together, if two people spend time out in public together and enjoy aforementioned time, then they will eventually end up enjoying the other’s, ah, company in the bedroom. These two statements have not rung true for Zelda, Reader. Zelda illustrates this with the following illustration:
And, like Dearest, Dearest Vivienne, I can offer you no transition to this imaginary letter written to an imaginary person from an imaginary person, which was inspired by Martha’s letter to Leopold Bloom a/k/a Henry Flower Esq. I can offer you only the video below — which is Liz Phair performing the fabulous “Flower” live. Unlike most of her live performances, however, this one is actually quite good. There’s even an extra verse at the end!
Also, Reader: Zelda would like to apologize for the nastiness (hers as well as Liz Phair’s) in the letter below but would also like to blame it on James Joyce.
the masochist says hit me and the sadist says no
naughty you no massaging your silly thinskin your babyfine headhair your naughtynaughty slapsore cock pam grier from a cheap frame watching us fuck and my fingers splaying and pressing your headboard (moving to livingroom) pam grier from a cheap frame watching us fuck and your cock being fucked on the sofa you like to be fucked your cock to be smacked and pulled I have noticed your eyes railroading me with want (with your hair I am making saltwater taffy) I wait for the want to escape your lips for naughtyyou to say –
Forgive the tardiness of this post, my dear friends. Yesterday, the Dread Beast of Exhaustion wrestled me to the ground, and I could not resist. Incidentally, the Dread Beast of Exhaustion led Vivienne to look exactly like Bette Davis in Hush, Hush, Sweet Charlotte, after evil Cousin Miriam’s dread medicine worked its magic and, after a vision of masked dancers and Dr. Drew (am I the only one who could not help but think of Loveline whilst Dr. Drew was onscreen in said film?) risen from his watery grave, she collapsed upon the stairs. Vivienne is, in fact, surprised that she did not collapse upon her own stairs in her journey bedward, and is grateful that her stairs are carpeted, as she expects that this shall, indeed, occur at some point in the near future. In the meanwhile, Vivienne greatly misses Zelda, who has been engaged in Fashionable Activities of Fashion which are far too Fashionable for Vivienne to even begin to mention when she has only had a cup and a half of coffee. Fare thee well, Fashionable Zelda of Fashion! If our souls are two, they are two so as stiff twin compasses are two! My soul, the fix’d foot, doth not move except to bed after wrestling the Dread Beast of Exhaustion; thy soul far doth roam into the realm of Fashion. But we shall end where we began, in Fashion, accompanied by Diamond Heart Necklaces and the melodious voice of Courtney Love!
And now, Vivienne unwisely begins the unwise portion of this entry, for which she is woefully unqualified and sorely undercaffeinated, but which she will nevertheless unwisely attempt.
Vivienne Perhaps Unwisely Enters into a Discussion of Religious Significances in the First Two Sections of Ulysses
First and foremost: the image of shaving, with which Joyce begins Ulysses. This is, indeed, an image rich with Serious Religious Implications in many religions, the Serious Religious Implications being in the vein of beginning a religious quest. There is, of course, the importance of shaving in Catholicism, with which Joyce was obviously familiar: nuns having their heads shaved during Holy Orders, and monks with their tonsure. Of course, shaving is also of great importance in Buddhism. Take, for instance, Chikamatsu Monzaemon’s joruri plays of the shinju, or “love suicide,” or “double suicide,” variety, particularly The Love Suicides at Amijima and The Love Suicides at Sonezaki. The lovers cut off their hair in order to become monks and nuns at the end of their multi-bridge journey towards death, an act which seems resonant here.
Secondly, Vivienne would like to take some time to further contemplate something which seems to be of great significance in the text: Daedelus’ use of algebra to discover that Hamlet is his own father. Let her break down her thinking:
Dedalus does not use textual implications to discover this fact.
Dedalus must, instead, use algebra, or the language of mathematics, for this discovery.
There is herein the implication that we must use a language other than our own, other than the language systems we’ve set up for daily communication, to discover Great Truths, particularly Great Truths of Religious Import.
This also seems implied by Joyce’s use of Latin phrases from the Mass and from the Requiem Mass, which further implies that we cannot discover Great Truths of Religious Import or, in another sense, communicate with or about God in our own language.
Both Latin and mathematics are languages which are either, in the case of Latin, no longer used to communicate, or which cannot be used in verbal communication.
The implication here seems to be that God is something above and beyond us, not an existing part of the everyday world, which we cannot reach in our daily lives, and which few, if any of us, can understand.
Dedalus uses this Other Language to discover that Hamlet is his own father.
If we consider the Roman Catholic idea of the Trinity, with Christ as the Son and God as the Father and the Holy Ghost, and all being one, one can see that Christ also is His own Father.
If, like Christ, Hamlet is his own Father, in avenging his Father, he is only avenging Himself, the implication perhaps being that any act that we perform on behalf of another is, in a very real way, simply an act we perform for ourselves.
If, like Hamlet, Christ is his own Father, Christ’s appearance on earth can be seen as a form of revenge, avenging the world for forgetting his Father much as Hamlet exacts revenge upon Gertrude and Claudius for forgetting his Father.
Indeed, Christ’s appearance on earth led human beings into roughly 2,000 years of warfare, which continues to this day — what could be greater revenge?
There is also, herein, the implication that if God and Christ are one, and God controls all things, and God sent Christ to die for us, God committed suicide, in a very real sense.
If this is seen as logically true, it can also be logically construed that God killed his presence on earth, meaning that God is no longer a part of our daily lives.
Well hello! Welcome to this Missive of Fashion! Zelda realizes that it has been quite some time since she and the Most Fashionable Vivienne have written. Zelda is writing to you, Most Fashionable Reader, to reveal that she and the Most Fashionable Vivienne apologize for this travesty. Zelda is here to tell you, Most Fashionable Reader, that she and the Most Fashionable Vivienne will soon return to grace the presence of their very own blog. She and Vivienne are also here to tell you, Most Fashionable Reader, that you will not be disappointed when they do. Zelda and Vivienne will return to TheHyacinthGirls.com on the First of October, 2008. At present, they are getting quite comfortable in their alter-alter egos: Vivienne as Bette Davis, and Zelda as Joan Crawford.
Would you, Most Fashionable Reader, like to have a peek at what Vivienne and Zelda will be working on during the month of October? Here it is:
Don’t call it a comeback, Most Fashionable Readers; Vivienne and Zelda have been here for years.
Most Fashionable Reader! Since Zelda shamefully admitted to being Shamefully and Highly Unfashionable as of late, Zelda has discovered that it is quite therapeutic to reveal secrets of shame and great sorrow. So. Today, Most Fashionable Reader / Reader of Fashion, Zelda will reveal, for the first time publicly, one of her secrets that she deems Incredibly Shameful.
But first! A preface to the Secret of Shame! Let Zelda tell you, Most Fashionable Reader, that she has no problems talking about most anything that has to deal with her personal issues. Now, don’t get Zel wrong — she is NOT the type of person who goes up to strangers and says, “Well hello! My name is Zelda, and I am a sober alcoholic who has battled depression and anxiety all of her life! How are you doing this most fashionable evening?” Zelda does, however, have no qualms with discussing her issues when she deems such a discussion necessary.
But! There is one thing that Our Dearest, Most Fashionable Zelda has revealed to less than a handful of people. Here goes, Dear Reader. Are you ready? Zelda cannot believe she is actually writing this down, but oh well: Zelda has Attention Deficit Disorder. That’s right. Zelda has ADD. Now Zelda knows, Zelda knows: it’s nothing to be ashamed of. Why? Well, because, as every book on Attention Deficit Disorder tells you, most people with ADD are incredibly creative! Hooray! Wow! Awesome!!!
But here’s the thing, Dearest Reader: Zelda doesn’t want to be known as a creative woman. When Zelda thinks of creativity, she thinks of windchimes made from thriftstore silverware, potholders made from bottlecaps, wreaths made from dried apple cores, etc., etc. Zelda doesn’t want to be a creative person who happens to have ADD. She wants to be a successful person who happens to have ADD. She wants a baker’s dozen of personal assistants, she wants to dictate confidential memos to her secretary, she wants a Range Rover the color of gunmetal, she wants an executive chair covered with Italian leather at the head of a boardroom table, etc., etc. This is why she found Delivered from Distraction: Getting the Most out of Life with Attention Deficit Disorder so fabulous — because it gives profiles of highly successful businesspeople that include how ADD has helped their careers as well as the pitfalls of ADD.
Oh yeah! The FaOuLiPoWriMoFa [Fashionable OuLiPo Writing Month of Fashion] poem! Zelda has used a section of Judith Greenbaum and Geraldine Markel‘s Finding Your Focus: Practical Strategies for the Everyday Challenges Facing Adults with ADD entitled “How to Use Self-Talk as a Memory Aid” as her source text, and she curtailed each line.
Stop! Am I –
A quieter place. Too noisy in here.
Did I hear this time? Am I too
tired? Think. Before saying anything,
get angry, tense. What
is here? This.
Stop.
Stop!
Down the choices slowly and carefully.
I feel. I think.
Only concentrate. I’m finished.
We can go. I can –
Failing doesn’t mean. What
can I try again? Give up to keep trying.
Maybe I need this. Should I go?
The problem: the things
I need. If I go
slowly, solutions happen. Strategy
Careful Readers of the Blog might’ve noticed Vivienne’s conspicuous absence. Careful Readers of the Blog might also have said to themselves, Oh, dear. Vivienne must be going through “a time.” Careful Readers of the Blog would, indeed, be correct in their assumption that Vivienne has been going through “a time,” so far as Careful Readers of the Blog do not define “a time” as an enjoyable period of sunshine, lollipops, rainbows, and daffodils, or as a brief period of slight unfashion that can be cured by an evening with the Lifetime Network, Ben and Jerry’s, and All-Natural White Cheddar Cheetos. Careful Readers of the Blog, however, will probably realize that any “time” which prevents Vivienne from practicing OuLiPo must be quite a time indeed.
And, indeed, Vivienne has been buried in the rubble of an earthquake of Unfashion. Vivienne feels as though her very body, her very soul, her very essence — nay, her very WORLD — has been sucked into the mouth of The Nothing like so much spaghetti. Vivienne has been having the kind of “time” where she feels she has much more in common with a two year old collapsed in a sobbing pile of anguish at having been denied a cookie and throwing her favorite stuffed animal repeatedly against the wall than anyone else. Vivienne has been having the kind of “time” which results in her driving home at night listening to “Back in Black” at top volume and belting I-I-I-I go baaaccckk tooooo uussssssss along with Amy Winehouse at top volume while feeling jealous that Amy Winehouse has the sweet release of crank and crack and smack and whatever the hell else she’s smoking these days, also at top volume. Vivienne has been having the kind of “time” that results in her not only singing Amy Winehouse songs at top volume but simultaneously weeping at top volume, so that, by the time she reaches the gas station by her apartment, her carefully-applied smoky eye make-up has turned into the kind of racoonish wreck once made fashionable by the ever-fashionable Courtney Love, only she’s taken things one step further, as her glitter-specked black liquid eyeliner has stained her cheeks and tear-wiping hands as black as Amy Winehouse’s crack-crank-smack-stained fingernails. Vivienne has been having the kind of “time” that results in her not even bothering to spit-wipe the glittering black liquid eyeliner stains from her cheeks and tear-wiping hands before she enters the gas station by her apartment, and Vivienne has been having the kind of “time” that results in her looking the gas station attendant straight in the eye and saying, what? What? You got a problem? when, with cheeks and tear-wiping hands covered in glittering black eyeliner stains, she comes to the counter to purchase a bottle of red wine, an extra-large bag of peanut M&Ms, a bag of cat litter, and a pack of Marlboro Ultra Lights.
Which means that Vivienne has been thinking a great deal about probability. For instance: how, purely through probability, and seemingly without a choice of her own, she has ended up In Her Station — the gas station mentioned above, for instance, which works as a Fitting Metaphor. And Vivienne has been thinking about OuLiPo and potentiality, though not necessarily actuality. But Vivienne has been thinking about the part of probability theory which states something like this (all of Vivienne’s understanding of mathematics generally boils down to “it’s something like this,” by the way): how the probability of a sample set adds, in a sense, up to one. So Vivienne got to thinking about how there’s sort of a sum that each x in this kind of set adds up to. So Vivienne got to thinking about how this might apply to text: how, for instance, each word x in a certain position in a series of lines of text might add up to a poetic sum. So, Vivienne experimented with an invented constraint she is going to refer to as Sum Probability. She took the first word in the first line, second word in the second line, third word in the third line, and so on until the series ended and had to repeat, in a text to see if it would add up to a poetic sum. The text in question is one which also deals with probability: Alberto Moravia’s Two Women, later made into a Film of Fashion featuring that ultimate icon of all Fashionable Things Which are Fashionable, Sophia Loren, which deals with the ways in which two women’s lives are changed drastically by the chance occurrence of war. Here is the result:
Then Later –
Man’s walking and one –
many – they but are dragged
that people laden — that
in the weariest –
along which valley
national? — via mouthed -
say it – filled green. America
brings its power, motorcars
that — kind soldiers, armored
boughs — large curving of a pair
noticed — recovered. With dear
wind distantly — we too in
would– fire – come on – mine?
Out. Anti-aircraft is the only
clean. Be jumble — lawyers
apprehensive. Lieutenant –
Dearest, Most Fashionable Reader: Zelda has been busy being an Active Invalid of Unfashion these past few days, the climax of this Unfashion occurring late yesterday evening after Zelda and a Benevolent Friend watched The Bucket List [which, by the way, Dear Reader, has been FALSELY BILLED AS A COMEDY! IT IS A FILM OF TRAGEDY AND GREAT SORROW!]. At the end of The Bucket List, Zelda fell dramatically onto her Benevolent Friend’s hardwood floor, curled up into a fetal position, and sobbed, “I am going to dieeeeeeeeeeee alone. I am going to die aloooooooooooooooooooone. Aloooooooooone.”
Zelda’s Benevolent Yet Somewhat Annoying Friend showed no pity for Our Dearest, Most Fashionable Zelda. “You’re not going to die any time soon, Zelda,” he said. “And you’re not going to die alone.”
“Yes I ammmmmmm,” Zelda wailed. “I am going to die alooooooooooooone.”
“Get it together, Zelda,” the Benevolently Annoying Friend said. “You’re not fun to be around when you’re like this.”
“Fun?!” Zelda roared with all the Furious Rage she could, in her pathetic state, muster. “You call this film of tragedy and great sorrow FUN?! ALL I WANTED TO DO WAS WATCH THAT WILL FERRELL COMEDY! THAT ONE ABOUT BASKETBALL! BUT! NO! YOU TALKED ME INTO THE FREAKING BUCKET LIST! HOLY CHRIST I NEED A CIGARETTE!”
So Zelda furiously drove back to her apartment, alone. Whilst driving, she violently smoked cigarette after cigarette, alone. She stomped up her flight of stairs, alone. She brushed her teeth so hard that her gums bled, alone. She furiously plumped her highly fashionable pillow, alone, and Zelda finally drifted off into a Sleep Full of Rage and Fury and Sorrow. Alone.
Sometimes, Dearest, Most Fashionable Reader, only eighties music will suffice. Only eighties music can express the loneliness and the angst one Zelda felt while curled up in a fetal position on a hardwood floor. And this is why, Most Fashionable Reader, Zelda has provided for you the video below, in all its acid washed hair sprayed white sneakered jean jacketed sweetly innocent bubblegum smacking glory. Hearts are good for souvenirs, Dear Reader. Hearts are good for souvenirs.
Oh yeah! The poem!
For this FaOuLiPoWriMoFa [Fashionable OuLiPo Writing Month of Fashion] poem, Zelda has blended the Fashionable OuLiPo methods of curtailing and interference. Zelda’s source text was a section of a quiz found in Delivered from Distraction by Edward M. Hallowell and John J. Ratey.
Self Assessment
Are you concerned that you drink too much when you’re alone?
Do you smoke more cigarettes now that you’re single?
When by yourself, do you resent yourself?
Do you enjoy being alone in basements?
Do you waste vast quantities of time roaming around by yourself?
Do you smile when talking to yourself in hopes that it will be a sufficient contribution?
Since you’ve become single, have you made the mistake of dating?
Has the quality of your sex life declined due to internal emotional conflict?
Is what you’re looking forward to doing a solitary act?
Do you find that you have trouble sustaining attention when you make love to yourself?
Do you have trouble lingering when you make love to yourself?
Do you have recurring dreams in which you’re by yourself?
Do you carry anger and frustration within you?
When alone, do you feel a great deal of shame?
When you’re alone, do you yearn to be so much more?
Vivienne has spent much of her evening dealing with a great deal of UNFASHION (where are you, wise and benevolent spirit of Anne Carson, to save me from the UNFASHION?!). So much UNFASHION that she’s halfway convinced that the entire WORLD OF FASHION has been SUCKED UP INTO NOTHING BY THE NOTHING. So much UNFASHION, in fact, that she and Zelda just had a Most Fashionable Conversation of Rage in which many Fashionable Discoveries were made, which may soon reach the blog, but, in the meantime, Vivienne is so unhinged by the UNFASHION she was forced to face that she cannot even talk about it, for spreading such UNFASHION to the world would be a serious act of UNFASHION. And Vivienne detests UNFASHION. And Vivienne instead loves Fashion. And Vivienne loves you. And so she gives you a Scene of Fashion, from Wigstock 2000:
And so she gives you a Fashionable Pet Shops Boys AbFab Mix of Fashion:
And so she lets you in on one of the Most Fashionable Revelations of The Evening, which is that PATSY IS FABULOUS with this Sponge Osmosity created from AbFab clips. Enjoy, and remember, kids: BE FASHIONABLE AS OTHERS SHALL BE FASHIONABLE UNTO YOU.
Lacroix, darling. Lacroix.
Sweetie Darling The Stairwell
California lovely the roof off lovely
over it the road the road lovely
there used to be here your language
watch you foul you language I am
thin a bee is it where is it find it
we need more don’t leave right well
then a bee a bee is it a small hello
cut it off he’s very nice cut it off I have
to get out of here darling Mummy’s here
sweetheart I’m going to call the filth
the pigs just drink it sweetie no fabulous
no fantastic no I like this one no this
one is the one this one here what is this
sweetie we tried didn’t we we didn’t want is this
The Careful and Quite Fashionable Reader may have noticed from Zelda’s previous posts that she is quite fond of the ocean. One might go so far as to say that Zelda is obsessed with it, since Zelda spends most of her free time on the shore and includes the ocean, sand, and/or pelicans in nearly every poem she writes. Now, Most Fashionable Reader, Zelda could lie to you. Zelda could lie and say that she is quite stunning on the shore with her plethora of Swimsuits of Fashion and her sunkissed brown hair blowing ever-so-seductively in the breeze. Zelda could lie to you, but she won’t.
Instead, Zelda will say that instead of being the Seductress of the Atlantic, Zelda is the Cutie Pie of the Atlantic, a sort of nouveau Gidget, with her pigtails and her thick bangs and her Stylishly Retro Swimsuits of Fashion. Zelda will say this, Fashionable Reader — but this, too, is a lie. Here is the Unfashionable Truth, Dear Reader: Zelda is an Utter Beach Disaster. Zelda can be seen from miles away as she approaches the shore, wobbling from the weight of her Beach Chair, her Beach Cooler, and her Beach Bag. Zelda always trips while she searches for the Perfect Spot on the sand, and sometimes Zelda falls. Zelda has great difficulties unfolding her Beach Chair. When Zelda finally settles down on the sand in her Beach Chair, nine times out of ten, she discovers that she has forgotten to shave a leg. When Zelda is not paying attention, dogs come up to her and pee on one of her legs — usually the shaved one. And, immediately after exiting the ocean after an ocean frolic, Zelda’s hair turns into this:
So you, Most Fashionable Reader, can imagine Zelda’s glee when she was delivered this Most Fabulous Piece of News from a Most Fashionable Friend of Fashion: a surfer finds Zelda sexy. (Clearly he has never seen Zelda, Utter Beach Disaster by Day, Wednesday Addams by Night, on the beach itself, but that’s beside the point.) O the joy! O the wonder! O the happy, happy day! Please try and understand, Reader of Fashion. This has been one of Zelda’s Secret Wishes for over two decades. And now, with just that tiny bit of information, Zelda feels that her life is quite close to complete. O happy day, Dear Reader! O happy day!
And here is a song to match Zelda’s mood! A song for all of us! Let’s all see that new horizon underneath that blazing sky! Can you hear the music playing? Can you see the banners flying?
Yes! The poem! Tonight, Zelda has taken Vivienne’s lead and performed line stretching on one of her favorite Guns ‘N Roses songs EVER: “Breakdown.”
Breakdown
I’ve come to know the cold. The beer
cans stack up against me like dominoes.
I am empty, an unmade bed, a form
without substance. A pelican nods itself
to sleep on a distant sandbar. An ice pick
being pulled from a freezer as the lone
taxi makes its way west. The night being
stuck to my back like a dying man’s fingers,
like a pair of hands struggling to regain sense.
The shape of you breaking me. The driftwood
bulkheads remain. I think of the crushed
ice in the corner of the cooler
as a hiding place, a place to rest
my heart on days like this when even the ocean
perspires. The cold shape of nothing
sifting through a swimsuit. There is beer,
there is nonalcoholic beer, and there is tequila. The organ donors smirking their way
to the front of the line at the pier.
There is salt, and there is a wound. There are
cigarettes snuffed out by the tide. In time,
everything is pulled from the shore to the sea.
There is the scabbing over.
I think of it as home.
Zelda has a confession to make, Most Fashionable Reader. Zelda has many Secret Obsessions. One of Zelda’s Secret Obsessions, Most Fashionable Reader, is the Apocalypse — the horsemen trampling down the skies of fire Apocalypse, the holding in her hand a cup full of abominations Apocalypse, the foul spirits spewing forth from the gaping maw of the dragon Apocalypse. Zelda collects fashionable apocalyptic literature-in-fashionable-quotation-marks, and she is quite fond of her collection. Zelda views this collection as a reclamation of her childhood, as most of her early years were spent poring over tracts and pamphlets not unlike the ones she collects now, then squeezing her eyes shut as tightly as she could and praying please please please Jesus I have to be Raptured please please please Jesus don’t leave me down here with the Beast; memorizing the Book of Revelation, then furtively scanning the bodies of everyone she encountered for anything that could be interpreted as a Mark of the Most Unfashionable Beast, be it heart-shaped birthmark or bar-code tattoo; and waking up in cold sweats in the middle of the night, then screaming PLEASE PLEASE O PLEASE JESUS PLEASE LET MY NAME BE WRITTEN IN THE BOOK OF LIFE.
Needless to say, Dear Reader, Zelda’s childhood was fraught with paralyzing fear. Each time she cursed (and in those days, Most Fashionable Reader, cursing to Zelda was saying the word “butt”), each time she told a little white lie, each time she spoke out of turn in class, each time she told her older brother to just shut up and leave her alone, she envisioned a dreadfully stern and unsympathetic heavenly envoy dipping his hand-cut phoenix quill into an inkwell filled with the blackest of inks made from the burnt bones of the damned and using this inkstained quill to, with a solemnly dramatic flourish, strike her name from the Book of Life.
Zelda finally began to distance herself from her paralyzing fears when she was a freshman in college. A film was mentioned in passing in one of her religion classes, and Zelda, on a whim, rented it. She persuaded a Most Fashionable Friend of Fashion to watch it with her, so they sat on the carpet remnant on the floor of Zelda’s dorm room, surrounded by an Ansel Adams poster (belonging to Zelda’s Unfashionable Roommate), two pairs of Doc Martens (one belonging to Zelda, the other to her Most Fashionable Friend of Fashion), a Pulp Fiction poster (Zelda’s), a vase full of iridescent rocks (Unfashionable Roommate’s), a half-empty carton of Camel Lights (smoked surreptitiously by the window, as Zelda’s Roommate of Unfashion disliked it when Zelda smoked in the room), sorority sweatersets (Unfashionable Roommate’s), and a hunter green JCPenney twin comforter (unfortunately Zelda’s), and they began to watch the film. And their mouths dropped open in disbelief as soon as the film began. And their mouths stayed that way for the film’s entirety. The film? A Thief in the Night.
Kirk Cameron, eat your heart out. Left Behind’s got nothing on this:
Oh yeah! The poem!
The most recent addition to Zelda’s Fashionable Collection of Apocalyptic Literature-in-Quotation-Marks, a booklet entitled The Atomic Bomb and the End of the World by Hyman J. Appelman, was given to her a few months ago by a Most Fashionable Friend. Zelda has taken this booklet and created a cento, or a patchwork verse, from it. Zelda has taken liberties with punctuation, but no words have been changed.
All Things Shall Be Dissolved
I. The Failure of Science
Science has failed in trying to build a world.
It taught us if the world could only be,
all of the fearful evils would come to an end.
I am not decrying God. Here is the proof:
the leading scholars of the world
towered head and shoulders above the rest.
Synthetics, plastics, guided missiles, war.
Educated demons wrote a page.
An educated devil is terrible.
The houses of our land were so equipped.
War broke out. The generals: tried.
Science failed in trying to build a world.
II. The Faithfulness of Scripture
The atomic bomb is a revelation. It took
up the sword once. God got tired of it.
Where is the boasting that shook its fist to shout
around the world that it was peace? God got
tired of it. It took up the sword once too often.
The devastation in the moving pictures.
The wreckage and ruin is still terrible.
For miles there was nothing but ruin, corpses found.
Torn apart, the sword left its scabbard.
An ignoble end! The wages of sin!
The earth transformed by the last visitation.
III. The Future of the Saint and the Sinner
The rest of the lesson: prayers about the bombs.
Out to lunch: appetizers, bombs
for the salad, bombs for the main course,
mention of the bombs, tired despair.
The future of the saint: deliverance.
Deliverance from past, present, future.
There is also a word, but one word for you.
The bomb spells, preaches, proclaims DOOM.
The bleakness of DOOM! The blackness of DOOM!
The frightful curse, the terrible eternity of DOOM!
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It's very dramatic.