And life’s like an hourglass glued to the table…

November 1, 2008

NOOOOO!!! NOOOOOOOOO!!! I will NOT go quietly!!!!!!

Most Fashionable Reader! Zelda has dragged herself out of The Treacherous Abyss and has pulled herself to her feet to, well, face her demons head-on by writing about some form of some sort of journey into hell. Zelda is not one to rub salt in her wounds, Dear Reader, but she does have a fondness for rubbing alcohol.

James Joyce! Zelda has missed you so! Also Ulysses! Zelda cannot wait to go farther with you! Maybe even third base! And Vivienne! Zelda has missed you more! Zelda has missed you most!

The video below is something that has made Zelda feel better lately. It is a sweet little song — Zelda had forgotten about it until she heard it whilst getting her hair styled last week. Zelda feels the lyrics would have been a tad more cohesive, however, had Anna Nalick written it when she was a little older. Ah, well.

“My God! It’s so beautiful when the boy! Smiles!”

The writing on the wall

Fade past the unglazed mug, the shampoo commercial, the Still Life with Waterfall. Fingers blunt with cold. The sound of an old film. Aspirin tablets, chicken salad sandwiches. Extension cords round the room like lions. The smell of the weak, the descent of their last end –




You’re probably shy and introspective. BUT THAT! IS! NOT! PART OF MY OBJECTIVE!

October 13, 2008

Dearest, Most Fashionable Reader: Zelda has a problem. Now, Zelda realizes that she is hardly back in the saddle when it comes to the dating scene, since Roxette was still releasing new music when she last dated, but she felt that certain statements would still ring true within the dating world. Such as: if two people have massive quantities of sex over an extended period of time, then they will be forced to come up for air eventually and, during aforementioned air gathering, they would, perhaps, get a bite or two to eat or watch a movie. Such as: if two people go to restaurants and the cinema together, if two people spend time out in public together and enjoy aforementioned time, then they will eventually end up enjoying the other’s, ah, company in the bedroom. These two statements have not rung true for Zelda, Reader. Zelda illustrates this with the following illustration:

If! Then! Featuring the Fabulous Joan Crawford and Cigarettes!

And, like Dearest, Dearest Vivienne, I can offer you no transition to this imaginary letter written to an imaginary person from an imaginary person, which was inspired by Martha’s letter to Leopold Bloom a/k/a Henry Flower Esq. I can offer you only the video below — which is Liz Phair performing the fabulous “Flower” live. Unlike most of her live performances, however, this one is actually quite good. There’s even an extra verse at the end!

Also, Reader: Zelda would like to apologize for the nastiness (hers as well as Liz Phair’s) in the letter below but would also like to blame it on James Joyce.

the masochist says hit me and the sadist says no

naughty you no massaging your silly thinskin your babyfine headhair your naughtynaughty slapsore cock pam grier from a cheap frame watching us fuck and my fingers splaying and pressing your headboard (moving to livingroom) pam grier from a cheap frame watching us fuck and your cock being fucked on the sofa you like to be fucked your cock to be smacked and pulled I have noticed your eyes railroading me with want (with your hair I am making saltwater taffy) I wait for the want to escape your lips for naughtyyou to say –


In Which Vivienne Makes a Number of Admissions.

October 9, 2008

Look, Fair Readers.  You have stuck with me for quite a bit.  Through thick and thin, as it were.  And, as it is, I will make this admission:

Vivienne’s life is a disaster.

I mean, a Courtney-Love-at-five-a.m. disaster.  A late-Judy-Garland-attempting-to-film-Valley-of-the-Dolls disaster.  A Liza-Minelli-at-any-point disaster.  Together?  Vivienne does not have a whit of it.  And so, Vivienne is not quite sure why she has taken this, this very moment, this Judy-Garland-in-tragic-sunglasses moment, to quit smoking.

Careful Readers may be saying to themselves: Quit smoking?  I thought Vivienne already quit smoking.  I thought that happened years ago. Yes, Careful Readers, you are correct.  Vivienne did quit smoking, and it did happen years ago.  But Vivienne took up smoking again.  And here Vivienne makes a sad admission: Vivienne’s journey back down Nicotine Way started because of a man (actually, in an attempt to talk to a man in an unguarded smokehazed moment, during which said man confessed his homosexual tendencies, which Vivienne ignored to date him anyway) and continued because of a man (a man who, in Ms. Big Edie Bouvier-Beales’ words, was so warm on the telephone but so cold in person) (whose behavior also hinted at homosexual tendencies, which Vivienne ignored to semi-date him anyway, which brings to mind a pattern …).  And so, in order to liberate herself of Said Men, Vivienne is going to quit smoking.

Which leads Vivienne to think of her other additions: besides her addiction to dating and semi-dating men with homosexual tendencies, there is her addition to Diet Coke.  Smoking is bad.  Yes.  This, Vivienne can clearly see.  Diet Coke?  Nothing can convince her.  Her doctor tells her to stop drinking Diet Coke because it is eating her bones.  Vivienne is so exhausted by this news that she can do nothing but drink a Diet Coke.  Vivienne watches footage of an egg dropped in Diet Coke.  Vivienne watches as its shell dissolves.  Vivienne thinks, how refreshing would a cold Diet Coke be right now? Vivienne’s teeth fall out because she drinks so much Diet Coke.  Vivienne thinks, perhaps I could freeze Diet Coke in a dental mold?

And now, I provide you with no clear transition to tonight’s Ulysses assignment, inspired by Chapter 5, in which Mr. Bloom wanders around, tears up a letter, thinks about sluts, and witnesses an odd version of mass in which the Eucharist seems to come before the Gospel (perhaps this is just his perception, though): an imagine letter from an imaginary person.   Who is, hopefully, happily drinking a Diet Coke, smoking a Camel, and just acting on his homosexual tendencies fergod’ssake like he should’ve done instead of all that damned repression.

Dearest Y.,

As for the fish I am not sure.  Perhaps when feeding the tank left open, perhaps flipped themselves outwards.  Somewhere I read of their teeth though not sure this is a true thing.  Have you left the flowers where they were or are they elsewhere aplantered?  Last night I could swear bright as day.  The moon or something.  Six cents a sheet, the copies are, and the library overrun with moths.  Ate the verbs out and all of the Rs in the Oxford.  Crying shame, hidden in that dress in the corner, with the stains on the glovetips and seed pearls rolling.  Perhaps Sunday?  Or the hot rolls and the coffee burnt, heating element eternal lit, red eye in the night.  Lit his smoke on it and caught the hair on fire, poor guy.  Bugger he or should’ve been.  Or would’ve wished to.  Pour out the last of the glasses and call a night to it, will you?  Yes then.  Yes.

Regards.

FS


In Which Vivienne Discusses the Inappropriate Nature of Her Youth

October 6, 2008

Circumstances have arisen that have led to an odd necessity, this odd necessity being that Vivienne must look through Photographs of Her Youth, particularly Photographs of Her Youth as a College Student, in order to find An Entirely Appropriate Photograph of Her Youth as a College Student.  I admit that I thought this would be an easy undertaking.  Apparently, however, in the years since her graduation from college, Vivienne seems to have Completely and Entirely forgotten what her Life as a Youth as a College Student was like.  Vivienne found one photograph.  She was wearing a black velvet bra and a man’s suit jacket.  This, obviously, was Not Entirely Appropriate.  Vivienne found a second, third, fourth, and fifth photograph.  In all of these photographs, she was holding a wine glass.  Not Entirely Appropriate.  Vivienne found a sixth and seventh photograph.  She was shotgunning a beer in both.  Definitely Not Entirely Appropriate.  Vivienne found an eighth photograph of her smiling pleasantly in a pleasant pink wool sweater.  Vivienne felt hope.  Vivienne looked closer.  Her roommate’s bong was in the background.  Absolutely Definitely Not Entirely Appropriate.  Vivienne finally found a ninth photograph of her working hard at her computer.  Finally!  Appropriateness!  But for the “Militant Agnostic: You Don’t Know and I Don’t Know Either” bumper sticker plastered to the wall behind her left shoulder, not to mention the sight of a shirtless man behind her.  Absolutely Most Definitely Not Entirely Appropriate.  Vivienne now despairs, and thinks An Entirely Appropriate Photograph of Her Youth as a College Student is a non-existant myth.

Which brings us, fashionably, to this evening’s exercise, based on the fourth section of Ulysses, in which Mr. Bloom defecates in the outhouse.  In this evening’s exercise, Viv and Zel have agreed to mention something unmentionable.  Enjoy.

Wanting I think she wants a man who’s got no time for her because she doesn’t want to have time for a man.  Well, maybe she doesn’t want a man.  Has that made its way to your thinking?  The whole morning a fourcoffee haze, slim white grave in the trashcan and outside the evidence of the well-packed pack all smoked and your thinking what doesn’t kill me now may kill me later, your thinking the smoke can do the job I not brave enough to do.  In the meantide convincing theself of living by the cat who without me will have no freshwaterfoodbelledplaythings, she a black prrr in the blacknight.  In the meantide not speaking of the notness to the women who heelthump down hallways, coffeesteam and questions your weekend your morning all right?


In Which Vivienne Apologizes for the Lateness of This Post and Discusses a Great Many Things, Unwisely without Enough Coffee

October 4, 2008

Forgive the tardiness of this post, my dear friends.  Yesterday, the Dread Beast of Exhaustion wrestled me to the ground, and I could not resist.  Incidentally, the Dread Beast of Exhaustion led Vivienne to look exactly like Bette Davis in Hush, Hush, Sweet Charlotte, after evil Cousin Miriam’s dread medicine worked its magic and, after a vision of masked dancers and Dr. Drew (am I the only one who could not help but think of Loveline whilst Dr. Drew was onscreen in said film?) risen from his watery grave, she collapsed upon the stairs.  Vivienne is, in fact, surprised that she did not collapse upon her own stairs in her journey bedward, and is grateful that her stairs are carpeted, as she expects that this shall, indeed, occur at some point in the near future.  In the meanwhile, Vivienne greatly misses Zelda, who has been engaged in Fashionable Activities of Fashion which are far too Fashionable for Vivienne to even begin to mention when she has only had a cup and a half of coffee.  Fare thee well, Fashionable Zelda of Fashion!  If our souls are two, they are two so as stiff twin compasses are two!  My soul, the fix’d foot, doth not move except to bed after wrestling the Dread Beast of Exhaustion; thy soul far doth roam into the realm of Fashion.  But we shall end where we began, in Fashion, accompanied by Diamond Heart Necklaces and the melodious voice of Courtney Love!

And now, Vivienne unwisely begins the unwise portion of this entry, for which she is woefully unqualified and sorely undercaffeinated, but which she will nevertheless unwisely attempt.

Vivienne Perhaps Unwisely Enters into a Discussion of Religious Significances in the First Two Sections of Ulysses

First and foremost: the image of shaving, with which Joyce begins Ulysses.  This is, indeed, an image rich with Serious Religious Implications in many religions, the Serious Religious Implications being in the vein of beginning a religious quest. There is, of course, the importance of shaving in Catholicism, with which Joyce was obviously familiar: nuns having their heads shaved during Holy Orders, and monks with their tonsure.  Of course, shaving is also of great importance in Buddhism.  Take, for instance, Chikamatsu Monzaemon’s joruri plays of the shinju, or “love suicide,” or “double suicide,” variety, particularly The Love Suicides at Amijima and The Love Suicides at Sonezaki.  The lovers cut off their hair in order to become monks and nuns at the end of their multi-bridge journey towards death, an act which seems resonant here.

Secondly, Vivienne would like to take some time to further contemplate something which seems to be of great significance in the text: Daedelus’ use of algebra to discover that Hamlet is his own father.  Let her break down her thinking:

  • Dedalus does not use textual implications to discover this fact.
  • Dedalus must, instead, use algebra, or the language of mathematics, for this discovery.
  • There is herein the implication that we must use a language other than our own, other than the language systems we’ve set up for daily communication, to discover Great Truths, particularly Great Truths of Religious Import.
  • This also seems implied by Joyce’s use of Latin phrases from the Mass and from the Requiem Mass, which further implies that we cannot discover Great Truths of Religious Import or, in another sense, communicate with or about God in our own language.
  • Both Latin and mathematics are languages which are either, in the case of Latin, no longer used to communicate, or which cannot be used in verbal communication.
  • The implication here seems to be that God is something above and beyond us, not an existing part of the everyday world, which we cannot reach in our daily lives, and which few, if any of us, can understand.
  • Dedalus uses this Other Language to discover that Hamlet is his own father.
  • If we consider the Roman Catholic idea of the Trinity, with Christ as the Son and God as the Father and the Holy Ghost, and all being one, one can see that Christ also is His own Father.
  • If, like Christ, Hamlet is his own Father, in avenging his Father, he is only avenging Himself, the implication perhaps being that any act that we perform on behalf of another is, in a very real way, simply an act we perform for ourselves.
  • If, like Hamlet, Christ is his own Father, Christ’s appearance on earth can be seen as a form of revenge, avenging the world for forgetting his Father much as Hamlet exacts revenge upon Gertrude and Claudius for forgetting his Father.
  • Indeed, Christ’s appearance on earth led human beings into roughly 2,000 years of warfare, which continues to this day — what could be greater revenge?
  • There is also, herein, the implication that if God and Christ are one, and God controls all things, and God sent Christ to die for us, God committed suicide, in a very real sense.
  • If this is seen as logically true, it can also be logically construed that God killed his presence on earth, meaning that God is no longer a part of our daily lives.

  • In Which Vivienne Apologizes Sincerely for Her Lapse into Unfashion

    October 2, 2008

    O readers, o lovers, o comrades in Fashion!  Forgive Viv for her most unfortunate Significant Lapse into the Land of Unfashion.  I apologize greatly.  Circumstances mitigated.  Plus, there is this sad fact: whereas Zelda’s always Fashionable life of Fashion becomes even more Fashionable, it seems, during the months of our Blog Projects, Vivienne’s life tends to dissipate into … Well, boredom and busy-ness and routine.  To whit: the most Significantly Interesting thing that occurred yesterday was that I was awakened by Manfred Mann Earth Band’s “Blinded by the Light.”  You, gentle reader, perhaps have noticed that I termed this event as “Interesting” rather than “Fashionable.”  That is because there is, perhaps, nothing less Fashionable than this song.  However, this song can be termed as “Interesting” for a number of reasons.  First, because I hate it so, and because it was the first song I heard, it played continously in my mind throughout the rest of the day, so that I was kept from pure concentration on Very Important Things by my concentration on just how much said song sucks, and in how many ways its suckage occurs.  Secondly, this song may be considered “Interesting” due to my interpretation of the lyrics: whereas the Google claims that the lyrics are “cut loose like a deuce another runner in the night,” I claim that the lyrics are, in fact, “cut loose like a douchbag in the middle of the night,” which is ultimately more Interesting for obvious reasons.  Thirdly, this song may be considered a Song of Interest (though not a Song of Fashion, and most certainly not a Fashionable Song of Fashion) because it appears that Bruce Springsteen is the author of said song, and that said song is, in fact, Springsteen’s only number one hit as a song writer, two facts which confirm what will probably be the most controversial statement ever said on this blog: Bruce Springsteen sucks.  There.  I said it, and I meant it.  Bruce Springsteen wouldn’t know Fashion if it slapped him with a gloved hand on that face.

    Please view this Complete Absence of Fashion as proof.

    And now, dear friends, after that shocking but very true statement, I turn to our Ulysses-inspired writing exercise for the day, created Most Fashionably by the Most Fashionable Zelda: to describe a process, as inspired by the classroom scene in part two of Ulysses.  This, and the first part of Ulysses, dedicated largely to shaving, has led me to think a great deal about how often a man‘s shaving process has been described in literature, whereas a woman‘s shaving process hasn’t.  I will certainly ruminate on this in future Poemlogues, perhaps giving Helpful Tips to the Chillbumped, but, in the meantime, this.

    This the blade wavelike, tiding the leg cast shadowed and downed, unnacceptable and needing acceptance.  This the twin bladed blade of your hope, this the twinned blade of your hope and invitation, and the hand slipped under the tablecloth under the table under the skirt under the slip, this the twinned blade to prepare for what you’ve prepared for so many years, modeled with plasticdoll with bestfriend with basement lampshaded and carpet unrolled, Coke bottle unCoked and spinning and your hope then as always to land on the good one, to land on the good one you asked to the party you asked to the basement you asked for when you laid the rose scarf over the lampshade to rosesun it, show your skin as you wished your skin to be seen not poxmarked and pimplemarred but rosesunned the shimmer of movie and glow.  This the blade you will wield legwise showerwet, this the blade you will lead down the legline so often unstraight, so often slipping and scraping and these the scars you’ll call warwounds, this the bloodcollector slid between tiles that slid your feet to slipping, the blade to slipping, the hope to slipping yearward with hairfall and drain caught, this the eyeskin dropping, this the body you can no longer name.


    All I want is life beyond The Thunderdome.

    October 2, 2008

    Dearest, Most Fashionable Reader: I’ve a story to tell you. Earlier this evening, a Fashionable Friend and I went to eat dinner at a Very Fine Establishment. Soon after sitting down at this Very Fine Establishment, she and I heard the symphonic sound of Harley engines nearing. Now, even though I’m quite aware of the fact that most bikers aren’t as sexy as Gar from Mask, or even Mel Gibson during the Mad Max years, I can’t help but admit that every time I hear a Harley coming closer, my heart beats just a little bit faster. My heart can’t help but beat with hope, Dear Reader. But with hope. But I am afraid to say, Most Fashionable Reader, that the bikers who entered this Very Fine Establishment resembled neither Gar nor Mad Max Mel. But still: they sat right beside us, and that is where this story begins.

    Unfashionably Grizzled Biker: You know that shop down the road? The one that woman owns?

    Grizzled Biker of Unfashion: Ramona?

    Unfashionably Grizzled Biker: Yeah.

    Grizzled Biker of Unfashion: Is she really a woman?

    Unfashionably Grizzled Biker: That’s the whole point. See I walked in there the other day. So I said, ‘Ramona did you know that some people don’t think you’re a woman?’ I said, ‘So Ramona are you a woman or a man?’

    Grizzled Biker of Unfashion: Uh huh. [Insert wheezing laugh here.]

    Unfashionably Grizzled Biker: So get this. She says, ‘You take me to the bar and buy me a shot and I’ll give you some.’ So yeah I got me some that night.

    What is most interesting to me about the above conversation, Dear Reader, is the fact that the Unfashionably Grizzled Biker never revealed whether Ramona was male or female. So the end of this story will always be a mystery.

    O yeah! The poem! For this exercise, the Most Fashionable Vivienne and I read the first section of Ulysses and responded with a real-time imaginary conversation with a person of our choosing.

    What is implied through studies of use and meaning? Through the hissing up of petticoats?

    The water boiling in White Kettle with Teabrown Interior. The square leafpouch waiting patiently by the mug. The tea whistle indiscernible from the bikerband across the asphalt, bikerband indiscernible from Television Snowblare in Livingroom. (There being no free drinks on this island.)

    - – I think I should be able to free myself. I speak freely of the collector of precipices. After I left, he bought a birdcage from the auction.

    The buttercups leaping from quilt to Fireplace during this Phase of the Secondhand Moon. A wasted body bending its waist. Many hours shifting house in Polkadotted Dress with Teabrown Armpits.

    A chorus whirling.

    - – I remember nothing. Only ideas. Sensations. An odor of incense. Breath.


    It Feels Good to Be a Gangsta

    June 30, 2008

    Vivienne has always felt a special affinity for that particular scene in Office Space in which Peter, Michael Bolton, and Samir take an office machine (Vivienne’s memory is not particularly good about this — could it be a fax machine? A printer? A copier? Printer sounds most likely) into a field and beat the everliving daylights out of it with baseball bats. Vivienne felt a particularly special affinity for said scene this afternoon, when a malfunctioning Office Machine of this kind trapped her into an encounter with her Ultimate Nemesis.

    Now, encounters with Ultimate Nemeses are bad enough, especially when said Ultimate Nemesis resembles The Nothing much more than any other human being, animal, plant, rock, or anything composed of electrons, protons, and neutrons known to exist upon the planet. Encounters with Ultimate Nemeses should occur only when one is dressed as fabulously as Bette Davis in her early career and has had enough cocktails to be spontaneously witty. Encounters with Ultimate Nemeses should never, ever, never occur when one has not done one’s hair. Encounters with Ultimate Nemeses should never, ever, never, EVER occur when accompanied by Office Machine malfunctions which require one to be viewed in profile (which is really not the way that Vivienne wishes to be viewed, due mostly to her Roman nose, which has, more than once, been cleverly described as “yeah, ROAMIN’ AROUND YOUR FACE!”), and when the aforementioned profile view allows the Ultimate Nemesis a clear view of a Very Serious Blemish. I’m talking, the kind of Very Serious Blemish that might appear just before one’s prom. I’m talking, the kind of Very Serious Blemish that invariably appeared right on the tip of your nose on the morning of school picture day, that no amount of toothpaste would dry, that no amount of carefully applying your mother’s industrial strength under-eye concealer would cover. THAT kind of Very Serious Blemish.

    Nonetheless, Vivienne has Sucked It Up, and her encounter with the Ultimate Nemesis has inspired her. See, when Vivienne encounters the Ultimate Nemesis, she tends to think of fire-breathing hell beasts, and all kinds of terrifying mythological monsters whose sole purpose is to suck the souls from well-meaning human beings. Which got her to thinking about the chimera, which got her to writing one. The base text of this chimera comes from I Can Read About Weather, a very informative textbook on just the same subject published by Troll Press in 1975. The nouns come from the aforementioned Two Women, so that the I may receive a mystical visitation from the spitfire fabulousness that is Sophia Loren. The verbs come from Effective Small Group Communication, Second Edition, an instructive text that my Ultimate Nemesis has much need of reading. The adjectives come from Sonya Fitzpatrick’s, THE PET PSYCHIC’s, master oeuvre, Cat Talk: The Secrets of Communicating with Your Cat, whose gentle words will probably lull me to sleep tonight.

    I Emerge, Divide Up the Cloth Wrappings

    When you laugh at the face, do you smile
    out of the squall to see what kind of road

    it’s responding to give? Do you tell
    the suitcases and pantomime about

    the napkins? Some towns watch acutely.
    Some sums like calming and daunting.

    And on some heads, enlightened, lost
    shoes of stockings try out the provisions.

    All of these take different kinds
    of parcels. The war, all around

    you, demonstrates part of the stones,
    too. So when you accomplish in

    and when you notice out, you are ignoring
    a case of the Rome. There continues

    some kind of Ciociara in pregnant cloaks
    of the grass. Somewhere, distances insult

    sunbathing. Somewhere else, a soul is raging.
    People groan and the countryside ought

    to knock the city. What will be
    the dweller? What will expect

    the signs? What releases beloved
    kinds of frankness?


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